Kandyan dance

Kandyan dance

              According to the legend, the origins of the dance lies in dance ritual known as the Kohomba kankariya (named for the deity Kohomba), which is also known as Kohomba yak kankariya or simply kankariya. Traditional dance masters believe that originally the king of a place referred to as "Malaya Rata", and his two brothers, performed the first Kohomba kankariya. Some believe that this "Malaya Rata" was located in India.

According to legend, the three shamans came to the island as a result of a trick of the god Śakra in order to cure the king, Panduwasdev, who was suffering from a mysterious illness. The king was said to be suffering from a recurring dream in which a leopard was directing its tongue towards the king, believed to be as a black magic of Kuweni, the first wife of the king Vijaya. After the performance of the Kohomba kankariya the illness vanished, and many natives adopted the dance.

It was originally performed by dancers who were identified as a separate caste under the Kandyan feudal system. They were aligned to the Temple of the Tooth and had a significant role to play in the dalada perahera (procession) held each year by the temple.

The dance waned in popularity as the support for the dancers from the Kandyan kings ended during the British period. It has now been revived and adapted for the stage, and is Sri Lanka's primary cultural export.

Ves dance, the most popular, originated from an ancient purification ritual, the Kohomba yakuma or Kohomba kankariya. The dance was propitiatory, never secular, and performed only by males. The elaborate ves costume, particularly the headgear, is considered sacred and is believed to belong to the deity Kohomba.

Only toward the end of the 19th century were ves dancers first invited to perform outside the precincts of the Kankariya Temple at the annual Kandy Perahera festival. Today the elaborately costumed ves dancer epitomizes Kandyan dance, which highlights Sri Lanka's culture.

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Traditional Dances of Sri Lanka

Traditional Dances of  Sri Lanka 

 Classical Dances

There are three main styles of Sri Lankan classical dance:

•     The Kandyan dances of the Hill Country, known as Uda Rata Natum
•     The low country dances of the southern plains, known as Pahatha Rata Natum
•     Sabaragamuwa dances, or Sabaragamuwa Natum.

Kandyan dance takes its name from Kandy, the last royal capital of Sri Lanka, which is situated about 120 kilometers from the modern capital at Colombo. This genre is today considered the classical dance of Sri Lanka. In Sanskrit terminology it is considered pure dance (nrtta) it features a highly developed system of "tala" (rhythm) provided by cymbals called "thalampataa". There are five distinct types; the ves, naiyandi, uddekki, pantheru, and vannams.

The three classical dance forms differ in their styles of body-movements and gestures, in the costumes worn by the performers, and in the shape and size of the drums used to provide rhythmic sound patterns to accompany the dancing.

The drum used in Kandyan dancing is known as the Geta Bera, the drum in Ruhunu (low country) dancing as the "Yak Bera", and drum in Sabaragamu dancing as the "Davula" (the word Bera or Bereya in Sinhale means "Drum") The Geta Bera is beaten with the hands as is also Yak Bera, while the Davula is played with a stick on one side and with one hand on the other side; the Geta Bera has a body which tapers on both sides while the Yak Bera and the Davula both have cylindrical bodies.

The main distinguishing feature between Kandyan and Sabaragamu dancing, and Ruhunu dancing, is that Ruhunu dancers wear masks.

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